Cambridge: Harvard University Press, 1964. First Edition. Hardcover. Near Fine in a Very Good jacket, unclipped ($6.75), toned at the flaps, generally rubbed, a few creases, chipped at the top edge of the back panel. Black boards, rubbed, with white ink lettering on the spine and front board. Square and..... More

[Columbus]: [n.d.]. Unbound. A collection of early 20th-century fashion drawings from Edith Bangham of Madison, Wisconsin. Plates 1-4, 6-7, 9-17, 19-25 with 10 unnumbered plates, two of fabric. 32 plates total: 18 black-and-white, 14 in color. Seemingly the work of a fashion class with plates titled "Dress Adapted to Stout..... More

London: John Lane the Bodley Head Ltd, 1925. First Edition. Introduction by C. Lewis Hind. Fine in an about Fine jacket, unclipped (£2.20 net), a few small closed tears at the edges. Cream buckram with blue ink lettering and designs matching that of the jacket. Square and firmly bound with..... More

Derrydale Press, 1935. Limited Edition. Hardcover. Signed by Brown on the limitation page. Good. Quarter black buckram with yellow buckram on the boards, generally toned, rubbed, bumped, and soiled. Square and firmly bound, toned at the edges but clean internally. A facsimile of Brown's sketchbook of impressions from watching polo..... More

Los Angeles: Michael Montfort, 1987. First Edition. Paperback. With an Introduction and a Poem by Bukowski. Signed twice by Bukowski, once on the title page and again on the limitation page. Fine. Clean wraps. Square and firmly bound with two staples. A collection of twenty-four of Montfort's photographs, some of..... More

Mexico City: Museo Nacional de Arte, 1995. First Edition. Hardcover. Fine in a Fine jacket, unclipped (no price), some pulling to the laminate at the head of the spine. Blue cloth with blind lettering on the spine and front board. Square and firmly bound, clean internally. A book published to..... More

Chicago: University of Chicago Press, 1952. First Edition. Hardcover. Very Good in a Very Good jacket, unclipped ($5.00), generally toned, lightly bumped and rubbed at the edges, two tape reinforcements on the verso at the head and foot of the spine. Red buckram on the boards, two small dark spots..... More

New York: The Century Co., 1901. First Edition. Hardcover. With an ALS signed by De Vinne laid in. Near Fine, lacking the jacket. Brown buckram, lightly rubbed, with a red pastedown label on the spine. Square and firmly bound with a gilt top edge, clean internally. The second volume in..... More

New York: The Eakins Press, 1966. First Edition. Hardcover. Near Fine, covered in the original glassine with some chips. Dark grey cloth with white ink lettering on the spine and a paste-down on the front panel. Square and firmly bound, onionskin paper protecting the photographs, clean internally. A collection of..... More

New York: Haywire Press, 1981. First Edition. Hardcover. Near Fine. Spiral bound in a purple cloth portfolio, a few white stains on the front board. Firmly bound, clean internally. A collection of forty black-and-white photographs of flowers and trees from the United States and around the world. More

New York: Medaenas Monograph on the Arts, 1979. Paperback. A Medaenas Monograph. Near fine in the blue wraps, some fading and a penciled date on the lower-right corner on the cover. Critical writing by Gowing accompanied by reproductions of Matisse's works. More

Boston: Harry N. Abrams, Inc., 1995. First Edition. Hardcover. Fine in a Fine jacket, unclipped (no price), faded at the spine. Cream cloth with black ink lettering on the spine. Square and firmly bound, clean internally. A collection of Nadar's photography with "essays that shed new light on the many..... More

London: Cecil Palmer, 1924. First Edition. Hardcover. Good, no jacket. Quarter blue cloth with black paper on the boards, bowed, generally soiled and rubbed, stains to the pastedowns and with multiple chips to the spine. Square, bound with some reading wear, bookplate inside the front board, inscription on the front..... More