Reno: University of Nevada Press, 1990. First Edition. Hardcover. Inscribed on the half-title by Allard to fellow photography Ray Lustig, with an additional signed Christmas card from the Allard's to the Lustigs. Fine in an about Fine jacket, unclipped (no price), faded a shade on the spine, lightly bumped at..... More
![Item #4960 [Fashion Drawing Portfolio]. Edith Bangham](https://carpetbaggerbooks.cdn.bibliopolis.com/pictures/4960.jpg?width=320&height=427&fit=bounds&auto=webp&v=1607332562)
[Columbus]: [n.d.]. Unbound. A collection of early 20th-century fashion drawings from Edith Bangham of Madison, Wisconsin. Plates 1-4, 6-7, 9-17, 19-25 with 10 unnumbered plates, two of fabric. 32 plates total: 18 black-and-white, 14 in color. Seemingly the work of a fashion class with plates titled "Dress Adapted to Stout..... More
Northampton: Gehenna Press, 1965. First Edition. Paperback. Limited to 500 copies. Fine in a Near Fine slipcase, a few spots of light rubbing. Grey wrappers, clean. Firmly bound with string. A collection of seventeen etchings on different colored Fabriano paper. More
Boston: University of Massachusetts Press, 1968. First Edition. Hardcover. Preface by Archibald Macleish. Photographs by Hyman Edelstein. Limited to 200 copies, signed by Baskin on the limitation page and with a laid-in original woodcut signed by Baskin. Fine in a Near Fine slipcase, some rubbing to the paper at the..... More
London: John Lane the Bodley Head Ltd, 1925. First Edition. Introduction by C. Lewis Hind. Fine in an about Fine jacket, unclipped (£2.20 net), a few small closed tears at the edges. Cream buckram with blue ink lettering and designs matching that of the jacket. Square and firmly bound with..... More
New York: 1975. First Edition. Paperback. Gegenschein Quarterly 1112. Introductions by John Ashbery and Phil Demeyes. Inscribed by Ashbery at the end of his introduction. Near Fine. Wraps lightly toned, red ink lettering faded at the spine. Square and firmly bound, some erased pencil markings on the first leaf, clean..... More
Derrydale Press, 1935. Limited Edition. Hardcover. Signed by Brown on the limitation page. Good. Quarter black buckram with yellow buckram on the boards, generally toned, rubbed, bumped, and soiled. Square and firmly bound, toned at the edges but clean internally. A facsimile of Brown's sketchbook of impressions from watching polo..... More
Boston: Museum of Fine Arts, 1965. Alfred Stieglitz. First Edition. Hardcover. No additional printings listed. Fine in an about near fine jacket, unclipped ($15.00), lightly toned and edgeworn with a closed tear at the top edge. Black cloth with silver lettering, fine. Square and tight, a fresh and clean copy..... More
Mexico City: Museo Nacional de Arte, 1995. First Edition. Hardcover. Fine in a Fine jacket, unclipped (no price), some pulling to the laminate at the head of the spine. Blue cloth with blind lettering on the spine and front board. Square and firmly bound, clean internally. A book published to..... More
Lausanne: La Guilde du Livre, 1953. First Edition. Paperback. About Very Good. Pictorial jacket, creased at the spine, rubbed at the edges, some remnants of the original glassine. Square and firmly bound, clean internally. A photobook featuring writing from Colette and black-and-white photographs from Izis Bidermanas. More
Frankfurt: Zweitausendeins, 1990. Third Edition. Paperback. Includes the German-language supplement by Harry Rowohlts. About Near Fine. Orange wraps, lightly rubbed at the edges, shallow creases down the spine. Firmly bound with a slight forward lean, clean internally. Over 350 pages of Crumb's iconic work. More
New York: The Century Co., 1901. First Edition. Hardcover. With an ALS signed by De Vinne laid in. Near Fine, lacking the jacket. Brown buckram, lightly rubbed, with a red pastedown label on the spine. Square and firmly bound with a gilt top edge, clean internally. The second volume in..... More
Zurich: Editions ABC, 1976. Hardcover. Third Edition. Fine in a Very Good jacket, unclipped (no price), toned at the spine, a tear at the front panel, creases and a two-inch chip at the bottom edge of the back panel. Black and yellow boards. Square and firmly bound, clean internally. A...... More
New York: Three Duck Editions, 1984. First Edition. Hardcover. Limited to 5000 copies. Near Fine in a Fine slipcase, with the three laid-in sheets. Quarter silver cloth with grey cloth on the boards. Square and firmly bound with gilt edges, front hinge a bit over-opened, clean internally. An historical account..... More
New York: The Eakins Press, 1966. First Edition. Hardcover. Near Fine, covered in the original glassine with some chips. Dark grey cloth with white ink lettering on the spine and a paste-down on the front panel. Square and firmly bound, onionskin paper protecting the photographs, clean internally. A collection of..... More
San Francisco: Friends of Photography, 1989. First Edition. Paperback. Number 48 in the series on serious photography. Fine in wraps with minimal bumping to the corners. Includes images from and commentary on Shelby Lee Adams, Debbie Fleming Caffery, Doug Dubois, Roland L. Freeman, Birney Imes, Stephen Marc, and Marilyn Nance..... More
New York: Rizzoli Publications Ltd., 1996. First Edition. Hardcover. Fine in a Fine slipcase. Red cloth with gilt lettering on the spine and front board. Square and firmly bound, clean internally. A slim volume featuring "St. Valentine" by William Carlos Williams and seven intaglios from Frankenthaler. More
New York: Phaidon, 2014. First Edition. Hardcover. Presumed first printing. Fine in a Fine jacket, still sealed in the original shrink wrap. More
New York: Medaenas Monograph on the Arts, 1979. Paperback. A Medaenas Monograph. Near fine in the blue wraps, some fading and a penciled date on the lower-right corner on the cover. Critical writing by Gowing accompanied by reproductions of Matisse's works. More
Boston: Harry N. Abrams, Inc., 1995. First Edition. Hardcover. Fine in a Fine jacket, unclipped (no price), faded at the spine. Cream cloth with black ink lettering on the spine. Square and firmly bound, clean internally. A collection of Nadar's photography with "essays that shed new light on the many..... More
London: Cecil Palmer, 1924. First Edition. Hardcover. Good, no jacket. Quarter blue cloth with black paper on the boards, bowed, generally soiled and rubbed, stains to the pastedowns and with multiple chips to the spine. Square, bound with some reading wear, bookplate inside the front board, inscription on the front..... More
New York: Abrams, 1981. First Edition. Paperback. No additional printings listed. About near fine in the wraps, lightly edge worn and a touch of toning on the spine. Square and tight, clean internally. A collection of portraits of artists and photograhers with an interview by Andy Warhol. More
New York: Abrams, 1981. First Edition. Paperback. Inscribed by Kayser on the title page. About Near Fine. Wraps lightly toned, bumped at the corners. Square and firmly bound, clean internally. A collection of portraits of artists and photograhers with an interview by Andy Warhol. More
New York: Links, 1973. First Edition. Paperback. Very Good. Wraps rubbed at the edges, faded at the spine. Square and firmly bound, star remainder at the bottom edge, clean internally. A collection of youthful portraits of important people, such as Bella Abzug, Muhammad Ali, Louis Armstrong, Federico Garcia-Lorca, Humphrey Bogart..... More
New York: Morrow, 1980. First Edition. Hardcover. No additional printings listed. Near fine in a near fine jacket, unclipped ($29.95), lightly edgeworn, some surface rubbing. Grey boards with silver lettering, fine. Square and sturdy with slight reading wear, internally fresh and clean. 72 color and 68 black-and-white reproductions, focusing on..... More
